Tag Archives: scary things

Friday Poetry: Wonder

30 Jul

Today’s Friday Poetry is one of my own.

As I mentioned in a previous post, this sharing of poetry is still vulnerable, risky territory for me.

It’s easy to shy away from it, but I’d rather not.   This poem in particular is one that I waffled on publishing here.  It has a special place in my heart, which is the reason it is both scary and important for me to share with you.

Happy Friday, and may you find small wonders everywhere this weekend.


Untitled

‘wonder’ is sometimes called
a blue heron,
‘miraculous’, a sunrise.
there is an excess of words
and still too few names for beauty.
yet every day somewhere there is rain,
a change of tide,
a shifting
upriver.
every day we go on moving,
like so many flocks of birds.

- juliana finch

Locked In With Your Fears

25 May

I recently started doing Morning Pages again, for the first time in many years (with any regularity).  I have used mornings as my most productive writing time for a while now, but it’s been years since I did this exercise in the way intended by  The Artist’s Way. If you are unfamiliar with Morning Pages, here’s a link to a brief video interview with Julia Cameron where she discusses them:

Julia Cameron – Tarcher Talks

Ok, now that you know what I’m talking about, let’s continue.   When I did MP in the past, my dreams were extremely vivid.  Often, my pages in the morning started as sort of a dream journal, because I just couldn’t shake what had happened in my sleep and needed to pour it out somewhere.   I did not connect the two things (vivid dreaming and MP) until this week.

Last night I had one of Those Dreams.  You know the ones that practically knock you out of bed when you wake up?  The ones that make you think, “that can’t possibly just be my subconscious clearing out the recycle bin of my brain.  That was a message” ?   Yeah, one of those.  So I wanted to share it with you today.

The Initiation

There was a huge house party in one of those homes like you see in Hollywood movies – some giant Californian cliff-side mansion, with walls of windows and dozens of rooms.  It seemed as though we were all celebrating something, like a wedding, but the celebration was going on for days.  So many people that I knew were there, including musicians and artists I met many years ago but have not seen recently.  In addition, to the wedding, there were also smaller celebrations going on because some of the artists were going through rites of passage of some kind.

Along with a young man, I am led down some stairs into a hallway with a few doors.  We are guided into a room with no windows, a small dresser & bed in the back right corner.  I can’t see the boy very well but I feel like we know each other in some way, he feels almost fraternal.  When the door closes behind us, we can see that there are several other people in the room.   It’s hard to make out their faces because it’s so dark, but they are wearing tunics in bright colors — Red, Green, White, Yellow — and have face paint on in tribal patterns.  They are also each carrying a piece of fabric that matches the color of their tunics.

I understood that each of the colors represented something:  Green was death, yellow was embarrassment, white was illness, etc.  The people were physical representations of Fears.  This was our rite of passage.

The Fears began to taunt us, and gently hit us with their fabric,  gradually the taunts and attacks became more aggressive and sinister, though they never physically hurt us.  The situation got more and more frightening until the boy and I huddled on the twin bed together.   Eventually we realized there was nowhere we could go to escape (we knew the door would be locked) and that the best we could do was hold each other and let it come, knowing it would stop eventually.

Suddenly, it was over.  The door opened and light streamed in, and we saw that the people representing the Fears were fellow Artist friends of ours.  Everyone smiled and hugged us, clapped us on the back and welcomed us back upstairs to the party.

Talk about some strong metaphors, huh?!

Looking back, it seems like a perfect initiation for the person wanting to live a more creative life.  All of the things you fear WILL come up, you WILL have to face them.  Being an artist doesn’t mean not having those fears (or internal editors like I have!) but it does mean facing them and continuing on anyway.   If you can be locked in a room with your fears and still want to carry on creating, you are on your way.

Do One Thing Every Day That Scares You

15 Feb

That directive is attributed to Eleanor Roosevelt, and lately, I’ve been trying to do it.
I’m not talking about things that make me fear for my personal safety (I will not, for example, be trying any of the activities currently being aired on the Winter Olympics any time soon) but rather things that make my stomach flutter when I think about them, things that feel just a little bit risky.

I have a feeling that just outside the border of my comfort zone is a whole lot of opportunity for growth. If I can edge past my safe bubbles even a little bit, I think I might discover some things about myself.

One of the first “scary things” I’m going to do is publicly post some of my poetry.
I’ve put poems up for others to see in the past (in workshops, classes, and on Livejournal when I used it) but those were always closely filtered environments where I still felt pretty safe. By posting some of it here, I’ll definitely be stretching out of my bubble.

So, without further ado…(but possibly with some nailbiting and nervous twitching)…


 

I May Not Be A Real Poet

JULIANA FINCH

 

It has been brought to my attention
that I may not be a real poet.
Most of the poets I know would
describe themselves as night-owls, working
full menial days and then
burning the proverbial oil
well past dark.

Why then, my morning ritual of
coffee and a banana
and most importantly, a pen?

Certainly I am no ‘morning person’.
I would never be allowed back into smoky
poetry readings if I said out loud that
I felt my art was fueled by weeding the garden
and sunlight coming through the damp leaves
instead of vicious midnight heartbreak,
and swilling bourbon, and the stubble
on frustrated male chins.

Surely I am not so simple
as to write from my own desire
to smell the pages of a journal
at the start of each day.
What fraud!

Let me rail against injustices,
rage with the worst of nighttime rhapsodists.
Let me drink only espresso, black
and ingest only the smoke from my own
cigarettes and crawl to bed on the low mattress
in the disastrous studio
of the truly inspired.

On the other hand,
the sun has yet to stop rising
each day, the cardinals have yet
to stop hopping along the bird feeders.
Looking through the kitchen window,
I with my single morning cup
still find it worth noting.

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